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soul fire
Work Samples, Motivation and Industry Wisdom
GET MOTIVATED: For songwriters, musicians, venue operators, bands, and more.
www.justplainfolks.com
OHIOTALENT.COM CREATING FORUM
TO GET CLEVELANDERS EXPOSED
“IN THE MUSIC BUSINESS, TALENT, HARD WORK, TENACITY AND LUCK
DON’T ALWAYS EQUAL OPPORTUNITY—YOU NEED EXPOSURE.”
Sherry Gavanditti, OhioTalent.Com
We’ve got the Rock and Roll Hall of Fame taking up prime space. We’re hosting American Idol tryouts and sending out wannabes to face the world of fame and fortune. Cleveland has earned its bragging rights in the arts and entertainment industry. We feature independent films. We have dinner theatres and entertainment venues that are impressively metropolitan, yet welcoming. We have a variety of good radio and TV networks. We have arts in the parks, and jugglers on street corners. We do rock.
What we need is a better medium for exposing local talent that rocks to the masses. We need a way to offer our city a taste of something besides what the corporate music world want it to hear.
It seems mainstream media gives little attention to the up-and-coming artists who are struggling to be appreciated and recognized for their accomplishments. Sure, a band may get a gig on a morning show, but in comparison to the amount of bands that need to be heard, how often can one band get lucky?
Each day OhioTalent.Com gets request for information from local writers, poets, artists, performers, bands, musicians, casting agents, and even political figures. They all want to know how to get decent paying gigs, and how to get local media interested in promoting and even attending their shows. They crave print and electronic exposure, and especially live audiences. They want to be able to rock Cleveland.
OhioTalent.Com offers them info on booking, venues, programs, shows, the arts, and various opportunities, but our stance on getting free media is that it’s difficult to get on local TV and radio. It takes great talent, and even greater luck.
We advise these artistically talented people and direct them to the right mediums as best we can, but no one can guarantee exposure, because there are so few mediums available to the average joe schmoe band. With all due respect to college radio, radio usually doesn’t greet them with open arms.
While many college radio stations play local off-beat and alternative music, the demographics are poor when trying to be heard by someone with the ability to catapult ones career.
Cleveland icons Sid Friedman and Smoochie Gordan were notorious for their cable based “talent-shows” showcasing local color who either entertained with a strange talent or performed musically, but their productions faded with their youth and resources.
The marketing of Cleveland as the place to be for many reasons is lacking in punch. What Chris Carmody tried to do with Star Plaza in Downtown Cleveland is in likeness to what needs to be done with the entertainment industry in Cleveland: Bring real focus to it, light it up, make it tangible, palatable, and exciting. Bring people to the show. Set them afire with live music in the marketplace. Offer them Cleveland’s live entertainment hour. Let them meet their fellow entertainers.
Cleveland has to acknowledge that we are a hip and happening arts and music community. Talent and modeling agencies who search for talent and assignments in Columbus, Detroit, New York and L.A. are finding such in Cleveland.
So, how do we really put the buzz of what Cleveland has to offer and what it means to live in Cleveland out there to Cleveland media and venues? Like this. Make it happen.
Artists, performers, writers, producers, media, agents, venue operators; join our forum to increase the exposure of local talent through the media. Be it television, web, magazines, or even in the form of a monthly, weekly or nightly variety show, the arts and music underbelly is exciting and entertaining enough to hold its own—and to maintain an audience.
American Idol is a huge hit. Cleveland Idol holds just as many possibilities, in the form of a half hour show featuring local writers, mucisians, producers, photographers, artist, actors, and even talent agencies, it would also include the talent movers and shakers who make things happen in the area.
Thousands of other artists and musicians, their families, friends, neighbors, even politicians would watch. Eventually, local viewing ratings will shoot through the roof and television stations and other media forces will sit up and take notice.
And wouldn’t it be great to go national. Sponsorships should be easy. After all, it’s all about discovering the next mega-stars.
Clevelanders will be able to say they heard that act when they were just starting out!
Booking guest would be a breeze. Live performances would be exciting and impromptu, and the interviews would be honest and forthright.
As a songwriter, artist and photographer, I am coordinating a forum that will include various individuals who are interested in seeing this project get further examination. I am utilizing professional services and contacts in the arts, entertainment and political world, and invite anyone who would bring positive assets to the cause to contact me, in hopes that the vision will be drawn nearer to fruition.
Anyone interested in joining the forum should call the number below. Meetings will be held once each month in various venues and meeting places. Attire is casual. Fresh and innovative ideas are crucial. Artistic Energy is a must.
For more information:
Sherry Gavanditti
OhioTalent.Com
216-224-4162
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JOYCE MEYER, MOTIVATIONAL SPEAKER AND
MESSENGER OF GOD: READ ABOUT HER HERE.
www.jmministries.com
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WRITING TIPS:
A WRITER'S HELP IN UNDERSTANDING CHARACTERS:
by Melanie Ann Phillips
The Protagonist is the Prime Mover in the plot – the chief driver toward the story’s overall goal. The Main Character is the most empathetic character – the one with whom the audience most closely identifies; the character the story seems to be about. The Central Character is the most prominent character – the one who stands out most strongly among the players. The Good Guy is the moral standard bearer – the character whose intent is to do the right thing. Putting it all together then, a hero drives the story forward, represents the audience position in the story, it the most prominent character, and tries to do the right thing. Typical heroes include Dr. Richard Kimble in The Fugitive, Harry Potter, Clarise Starling in Silence of the Lambs, and Erin Brockavich. Many writers are taught that they need to have a hero. Problem is, heroes in stories should be just about as rare as they are in real life. They do occur; they just aren’t the only option. Now for the fun part…These four heroic attributes aren’t necessarily tied together. In fact, they can be swapped for other attributes, distributed among several characters and even put together in different ways! For example, suppose we change one attribute and create a character with the following four qualities: 1. Protagonist 2. Main Character 3. Central Character 4. Bad Guy Now we have the typical anti-hero (in the popular vernacular). Such a character would drive the plot forward, represent the audience position in the story, be the most prominent, but represent a negative moral outlook. Let’s try one more combination: 1. Antagonist 2. Main Character 3. Central Character 4. Good Guy In this case, we have a character who is trying to prevent the story’s goal, represents the audience position in the story, is the most prominent, and tries to do the right thing. James Bond is such a character. He did not instigate an effort; he is responding to an effort begun by the villain! In almost every Bond story, the villain is actually the driver of the plot – the proactive one – the Protagonist by definition, while James Bond is perpetually reactive, trying to put an end to the evil scheme. In our next tip, we'll take apart the stereotypical "Villain," and see what he is made of! Visit Storymind.com for free writing classes in Real Player format, free writing software, and hundreds of writing tips! And, at the Storymind Writers Store we'll beat any advertised price on writing software such as Dramatica, Final Draft, Movie Magic Screenwriter, Power Structure, StoryView & more! Permission is granted to distribute this article to others, as long nothing is added or deleted including this disclaimer and the following copyright notice. Copyright 2001 Melanie Anne Phillips
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THE SPIRIT GUIDES US ALL, ONE BY ONE AND AS A WHOLE OUR DESTINYS ARE SET.
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SOMETIMES, THERE'S A REASON WHY WE'RE LATE
By Sherry Gavanditti
journalangel@aol.com
One day a talk-show caught my attention. A woman asked a specialists, (the guy who looks like Howard from Mayberry) for help in understanding her "always being late" problem. The topic quickly got my attention because I occasionally run late. The specialist's reaction to her problem appeared pompous and trite.
He snapped out words implying her being selfish, spoiled and inconsiderate (not in those words but relaying that impression) without really searching for a true understanding or accepting this woman's "time block. There could be million underlying factors for her tardiness.
Sure, some people are truly selfish and uncaring and inconsiderate, and they're late because they don't care enough to be prompt. I believe by fate sometimes we feel an unexplainable reluctance, or fear of leaving the house, or a subconscious stalling of events in our lives, and there is a much deeper occurrence in place, with reasons even a "specialist" may not consider.
First, realize that no one is ALWAYS late, unless they try.
There have been countless times in my life and in the lives of friends and family who say things like "If I had left the house five minutes sooner, I wouldn't be alive today," or some other unnatural affect or incidence. Odd little unexpected occurances make us late occasionally, but are they saving us in some way?
Here's a story that was shared by a visitor:
"I was leaving with a friend on a road-trip down the east coast of Florida and was running so late the evening we were scheduled to leave, we decided to leave the next morning. The next morning, the news reported the biggest pileup in a decade with many people dead, and it had occurred just off our exit, just about the time we would have been in that area. By the next morning, the debris was still being cleaned from the freeway as we passed. So...being on time can kill you, sometimes.
Well, consider life-changing lateness. Here's another story from a visitor:
"The night my mother went into labor, she didn't have insurance or the cash to pay for the hospital bill to have me, so she was turned away. Although she was physically trying to go into labor, I was pushed back from birth for several hours. I was forced to be late for my own birth! I only recently found out about this and felt some sense of instinctual understanding in my soul. I've never been the same about being late again."
Here's another story from a visitor:
"I used to work for The American Cancer Society, and while home from lunch one day, I decided to heat up a little bacon grease to coax my puppy to take his medicine. For some reason, I forgot about the grease on the stove. I went ahead and had my sandwich and watched a couple of minutes of my soap opera, then walked out the door, forgetting the soon to be combustible danger on the stove. When I got into my car, I looked at the clock on the dash, and realized that if I didn't leave then, I'd be late. I sat there in the car, unable to find the keys I'd just had in my hand. I had to rummage all through my purse and then found them right next to me. I started the car and tried to put it in reverse but the shifter wouldn't budge. I turned the car off. I started it again and it worked just fine. I began backing out of the drive, then, looked at the house again feeling even more frustrated that I'd be late, then drove away. When I walked into my office, I had a pack of matches stuck to my butt. The secretary teased me about sneaking off to smoke when not at work at the Cancer society. I laughed, but then I had a vision in my head that scared me to death. I saw my puppy barking at the same window I'd looked in before driving away. Behind him the house was billowing smoke. Suddenly, I remembered the bacon grease and yelled to call 911, then I sped back to my house, doing about 80 miles per hour or more to get there in time to save Benji, (a Terrier Lab, my little fellow, who is now 14 years old.) I ended up arriving before the fire truck and was able to get him out. The fire was contained to the stove and the house was saved. The firemen were surprised to see me there first, of course!"
So, the point is, our internal stalling is sometimes an adjustment from our angels, or our souls, or God, or mother earth, or father time...or who knows what, but perhaps, sometimes, it's for our own good.
One last story from a visitor:
"I was a child the day my neighbor was murdered. My brother and I decided to go visit our friend down the road. My mother felt funny about lettings us walk down there, but we kids convinced her we were old enough. As we passed our neighbors house, we heard shouting. About 6 minutes down the road, my brother wanted to turn around and go back. We had just gotten there so I didn't want to go back. He said he had a belly ache and really wanted to go home. I reluctantly walked him back. During the short walk, I felt a sense of looming doom. I felt pulled to just sit down there on the dirt road and wait. I walked more slowly, knowing I had to get him home. I don't know what or why or how time worked out the way it did, because when we walked past our neighbors, we saw him lying in the yard face down with a bullet hole in his back. A car was skidding away out of control. It would have ran us over if we had been any closer to the house.
The point is, why did hesitation take over and change fate? Was our neighbor supposed to die? Did I save my brother by not arriving while the killer was there? Was I late or was I early? I guess I will never know.
The emphasis I place on time is multileveled. I know sometimes that I may be late. Events such as parties, family gatherings, movies, grocery shopping; I don't get upset if I stroll in a few minutes late. I am not under the impression that the party is waiting on me. I feel more like my own person instead of worrying what everyone will think if I don't make a grand entrance while names are still being announced.
Being on time is sometimes not as crucial as getting what you came for.
What has prompted me to write is the overwhelming feeling that my sharing these thoughts may change lives and bring about understanding.
I have come to believe that our journey in life does not always coincide with the calendar and the clock and the plans other humans may have for us. Our journey encompasses traveling along many roads-- not because of our plans or calendars or clocks, but because our journey is not one that can not be measured by a humans' standard measurement of time. Our journey will be at a pace only God and the almighty powers can schedule. We are on their clocks.
Sometimes, we're supposed to be late. Relate?
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